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Theatre review: Midnight Tango @ Manchester Opera House

By Helen Le Caplain

There are few things in life so powerfully evocative and which touch your soul like an Argentine Tango.

The drama, passion, jealousy and naked lust is bared for all to see casting a spell over the privileged few who get to experience the dance take place.

And last night Manchester theatregoers got the chance to catch a glimpse of just that as they took to their seats for Midnight Tango.

Strictly Come Dancing favourites Flavia Cacace and Vincent Simone guaranteed all eyes were on them from the second they sashayed on stage.

The technical execution of the kicks and flicks typical of tango, the sultry tug-of-war rumba and the sheer joy of the cha-cha, combined with the fiery passion they put into each performance, made for a breath-taking 100 minutes.

Set in a late-night café in Buenos Aires where the locals come together to chat, drink and dance with potential partners, it proves to be the perfect setting for the story.

Flavia takes on the role of Sofia, a beautiful and talented dancer who soon has two locals vying for her affections; one of whom is the self-styled Italian Stallion of Latin dance, Vincent Simone.

In opposition is El Gato, danced superbly by Argentine Tango professional Diomar Giraldo, who plays the villain of the piece with great assurance, conceited arrogance and a fabulous dancestyle.

A special mention must go to Tricia Deighton and Anthony Renshaw who bring a heart-warming comedy partnership to the stage providing welcome light relief from the intensity of the brooding love triangle.

Fusing traditional Argentine tango music with cha-cha favourite Sway and the dark and sultry tones of Tom Waits’ classic Temptation Midnight Tango proved to be a feast not only for the eyes but also the ears.

If you love great music and spectacular dancing, then this is one strictly not to miss. 

Midnight Tango is at Manchester Opera House until July 27.

For more information, or to buy tickets, click here.

Image and video courtesy of WestEndTheatre via YouTube, with thanks

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