Let’s not beat about the bush – The Force Awakens is a straight up triumph in every aspect any fan could wish.
Walking out of the cinema, shaking, struggling for words, but with the strongest undercurrent of satisfaction coursing through my veins, I felt like no other film will ever emotionally enthral me in such a way again.
J. J. Abrams has extinguished the dry and stale, history-book like exposition and explanation of the torrid prequel trilogy, and crafted an affectionate, dazzling, and emotionally staggering display of drama, humour and raw unabashed spectacle.
This next section should be devoted to the story, but for spoilers’ sake we’ll keep it to a minimum.
It’s 30 years since the Rebel Alliance’s victory on Endor, a New Republic has been established, and a faction of the broken Empire has become the First Order.
John Boyega plays Finn, a First Order Stormtrooper who makes a rash decision, and winds up meeting Rey (Daisy Ridley) in the deserts of Jakku.
This meeting triggers the spectacular events that follow, and the anger of Adam Driver’s Kylo Ren.
This is a film for the fans, plain and simple. The story arc is brimming with emotional resonance and the grounding nexus of family conflict which the original trilogy explored.
There isn’t a Jar Jar, midi-chlorian or wooden line in sight. The opening scene alone washes this away, with humour, shock and awe injected with adrenaline in the first five minutes.
The instant Finn and Rey are introduced, we know their story is worth our time.
Abrams and co-writer Lawrence Kasdan have hit the nail on the head with their narrative’s direction – there so many little hints and nods to where the original trilogy’s story arc went.
If you were to really pick at it, these acknowledgements lend themselves to similarities between the plot of The Force Awakens and the original trilogy.
But a true fan won’t care. It’s done with such love and consideration that any similarities can be forgiven.
It takes the ideas that George Lucas went with and uses them for its own direction, embracing the new generation of characters and applying the Star Wars magic to them.
This brings me to the newly christened cast members – and by the power of the force, what spectacular stars have been born.
Let’s start with John Boyega, who provides the majority of the comedic, Han Solo-inspired archetypes that are balanced by Princess Leia and Luke Skywalker’s sincerity.
He’s on the run, searching for a life as far away as possible from the First Order, and will use his charms to sweep himself through some difficult scenarios.
Whilst his chemistry with Harrison Ford and Ridley feels wonderfully nuanced, it’s his work with the sweetest new addition to the cast BB-8 – an astomech ball droid – that gets the most laughs and beaming smiles.
It is Daisy Ridley, however, who completely entrances the centre stage.
With her character, Rey, Abrams has created the spectacular female heroine that will have equal rights campaigners (and everyone else) dancing in the streets.
When we first see Rey, she’s sliding down a huge sand dune on the doorstep of a star destroyer wreckage, gliding off to her local tradesman who gives her a measly small meal for the scraps she’s collected.
The second you lay eyes on her, you’re with her – she has you’re total focus.
She poses so many questions as to why she’s there and who she’s waiting for, and the mystery surrounding her previous harrowing experience does nothing but increase your fondness for her.
Her story progression, interplay with Solo, Finn, BB-8 and Ren are pure character necromancy – she’s strong in the face of the dark side, charismatic with friends, driven with her emotions and commitments, and Ridley’s performance is unwavering.
Watching her character is remarkable.
On to Kylo Ren, who is a sumptuous villain to get immersed in.
The ethos of the character is confliction and instability – he’s not technically a Sith, but is unfathomably attracted to the dark side of the Force.
It’s not a standard hard as nails nemesis that appears to have limited weaknesses; Ren is full of them, particularly prone to thrashing his self-constructed lightsaber around when the Resistance gains something.
Adam Driver feels like the perfect casting for such a role, and on the occasion when he reveals his face, the fear of the power he has and how little of it he can control escalates.
In essence Ren echoes the sentiments of what George Lucas wanted Anakin Skywalker to go through during the prequels, except Driver makes Hayden Christensen look about as menacing as Taylor Lautner.
Ren is a villain grounded in humanity in multiple dimensions; he’s a fascinating case study of the corrupting effects of insecurity.
I’ll put it out there now; awards recognition for Ridley and Driver would be highly deserved – you heard it here first.
When you finally get to see Star Wars pic.twitter.com/PdMvDyLGil
— Darth Vader (@DepressedDarth) December 16, 2015
The beloved returning stars also leave their mark, and no one will feel short changed.
The main prominence is Harrison Ford’s Han Solo and his fury friend Chewie, and Ford actually looks like he wants to be there, channelling a grizzled charm which still bares the traits of his mischievous younger self from the originals.
Princess Leia, now referred to as General Organa, still remains the calming sincerity, grounded by morals and a perfect balance for Han.
In the packed cinema, when a classic character made their screen debut, cheers and applause followed, it was a very special moment.
Other returners like C3PO, R2-D2 and a smattering of others are more of a side-line commodity, but no character feels shoe-horned in for the sake of it.
These wonderful characters add to the fundamental principle which Abrams adopted with The Force Awakens; emotion over exposition.
When it boils down to it the film only hints as to the scenario we find ourselves in, and that works, for the fans will know the ins and outs of the galaxy, the relationships, the Force, and the story arc, and no newcomer really needs to know which trade route was taxed to start a war.
Abrams gives us the world we’ve been craving more of without over indulging in every minute boring detail of why what happens, happens.
Forever a cynic could sit down and meticulously pick apart the story and motivations, but that would simply be viewed as petty.
The beauty of Star Wars is its ability to sweep you up in the moment in a dazzling flurry, defying your expectations of cinematic experiences, and leave you quaking in its wake, hungry for more; The Force Awakens does just that.
Hats go off to Disney, Abrams and the entire cast for delivering the most satisfying Christmas present to the world of Star Wars fandom.
The Force is not just awake, it’s more alive than ever.
Image courtesy of Disney Pictures, via YouTube, with thanks.