Emanuel Gat’s newest show, WORKS, is a stripped back dance piece which champions the dancer in their rawest form: a human.

Charly Bliss provided a night of emotional lyrics overpowered with electrifying rock when they performed at the Deaf Institute in Manchester on Thursday.

Chaotic horror comedy romp Come to Daddy from Kiwi director Ant Timpson is an outlandish tale of father son bonding under the most extreme circumstances, that manages to defy expectations at every turn.

There are some who say that rock ‘n’ roll is dead. At the Eagle Inn in Salford, Ablaze told us something different.

Marillion with Friends from the Orchestra electrified Manchester’s Bridgewater Hall with the third gig of their tour celebrating forty years together as a band.

Have you ever woken from an especially interesting dream, gone to recount the details to someone only to find it suddenly seems incomprehensible in your head?

In Simon Stephens’ thoughtfully written Light Falls, a mother’s death is what is required to bring four lives back together. This is not a play about division; rather, its main theme is unity in the face of adversity.

Most people know the story of William Shakespeare’s Romeo & Juliet, a tale of two star-crossed lovers who tragically take their own lives in the name of true love.

Co-produced by York Theatre Royal in association with Bristol Old Vic, the company of Wise Children are fierce in their non-stop energy as Emma Rice skilfully delivers a spirited adaptation of Enid Blyton’s Malory Towers that is toe-tappingly infectious to all.

The Jumper Factory starts with an announcement. The six young actors, who have been seated on chairs lined across the stage, bring their legs together and unclench their hands, rise from their chairs, and begin to chant as one.

Few establishments can be compared to 20 Stories.